Harley-Davidson Seventy Two Returns a Thin Look
The Harley-Davidson Seventy Two motorcycle is your metallic
flake fantasy, a Sportster on the way going back to the time when trendy young
adults rode a Sting Ray and the big people parked custom motorcycles in a row
down the street. Those motorcycles were long and trim; stylish red-tone and
sparkling chrome shimmering in fuzzy sunlight. From its red flake shade and
monkey bars to the lean white wall tires, the Seventy Two is a respectful nod
to that period and to the influence of the custom bike heritage which still set
trends even today across Whittier Boulevard, the famous driving street in East
Los Angeles often known as route 72. A new trend of custom makers are making
use of that era and brand new statement, not just in Los Angeles but in garages
throughout the United States, even around the world.
The style of the Seventy Two was credited from the
enthusiasm of the birth of custom motorcycles. At that time, motorcycles were
colorful and glittery, but also thin and stripped right down to the necessities
uncovering their skeleletal frames. If you'll take a peek at the humble origins
of customized bikes, you'll be surprised how uncomplicated they are, just like
bicycles. It’s a custom made model which is very particular in the states along
with the California scene where there was not a single motorcycle superstore in
the city where riders can pick up parts in one location. Pretty much everything
was hand made to meet the custom biker's specification.
Metal flake, a trendy design of the nineteen seventies,
showed up in everything from dune buggy gel coating to plastic diner seat
covers for custom made motorcycles. Harley-Davidson presents the flicker back
on the Seventy Two with red flake paint. This kind of finish is done by using a
black first layer blended with a polyeutherane system which includes
hexagon-shaped flakes that are about Seven times the size of metal flakes
included in typical commercial paint. Each flake is covered with a thin
aluminium layer and then colored red. Several layers of clear coat coupled with
manual sanding, deliver a smooth finish over the flakes.
The last detail for the red flake is an emblem neatly over
the fuel tank and pinstripe scallop designs on both fenders. Every style is
hand made, and they have represented the art in sticker for commercial
production, to ensure that they still have the look of manually applied
artwork; each decal is placed by hand. The decal is then engrossed in one last
clear layer. A solo seat and side-mounted license plate clump keep most of the
trimmed back fender - and more of the paint - shown all over the Seventy Two.
The power train is finished in gray powder coating with chrome covers plus a
new round air cleaner with a dished case. A vintage Sportster 2.1 gallon peanut
gas tank brings one final classic look towards the bike.
New Harley-Davidson Softail Slim is a Basic Vintage
Customized Motorbike
Undress a Harley-Davidson Softail to the key components and
you have the Slim. From its decreased front fender to the narrow rear end, Slim
can be described as non-sense, back-to-basics motorbike. Name it naked. Coin it
old-fashioned. Call it slim and mean. All that is left is an elemental Softail
profile and a legendary Harley-Davidson style that recollects timeless
personalized bobbers of the 50s.
To keep the back of the cycle simple and fresh, the Slim
carries a combined stop-turn-tail signal lights as well as a side mounted
license plate holder. The back fender struts rest exposed, featuring the strong
steel and fasteners. A little leather strap hides the gas tank joint. The power
train is painted with buffed covers instead of chrome with the black cylinders
kept to look not highlighted. The top fender is cut down to reveal more of the
wheel.
The Hollywood bar, recognized by its broad curve and cross
brace, was first an add-on for Harley-Davidson bikes with springer forks. The
concept may have been termed because motorbike fans of that time who used the
cross brace to place lights and bags had gone Hollywood with excessive add-ons
mounted on their motorcycles. For the Slim, the cross braced bar and louvered
head lights nacelles are painted in polished black. Other classic styling cues
include a shiny black cat’s eye tank unit with a retro speedometer, half-moon
biker footboards, a round air purifier cover, and gloss black wheel rims and
hubs. The cover over the seat is sewn in a tuck-and-roll design and style.
A counter-balanced Twin Cam 103B motor is strongly fixed
inside the frame, making a solid connection between driver and the machine. The
Softail case copies the clear lines of a retro hard tail body, but uses backside
shock absorber control systems delivered by coil-over shocks fixed horizontally
and hidden from the chassis rails. With the combination of a 23.8-inch seat
height and motorbike footboards, the Slim comfortably suits a various bikers
and provides a lightweight side-stand lift-off. A pull-back riser accessory is
generally added to adjust the handlebar back 2 inches without modifying control
cables and lines. Couple this on the top of a vintage motorcycle helmet and
head to a motorcycle superstore to get your favorite all American made
accessories to complete your flashback in time.
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